Anna Mantheakis: Pinball Wizard

Anna Mantheakis explores flavour through an unusual sensory lens. A trained winemaker and wine student, Mantheakis discovered that sound profoundly shaped the way she experienced taste. What began as an attempt to block outside noise while studying wine evolved into a deeper realization: different soundscapes could actually transform what she perceived in the glass.

Over time, she developed a personal lexicon of what she calls “sound-flavours,” using her synesthesia almost like a sensory filter when tasting. Much like adding water to a whisky or warming a glass to unlock aromatics, Mantheakis uses sound to heighten and shift flavour perception.

The selections below accompany Charlene Rooke’s article “The Taste of Sound, the Colour of Smell, and the Shape of Flavour” found in Edition 03 of the Flavour Report. Here, Mantheakis shares three “gnarly” tasting sounds she uses in sensory work and describes how each one changes the way flavours unfold.

Clarinet in High G

“I use this exclusively to screen for cis-lactone. It gives me a signal-boost for cis-lactone when I'm otherwise not very sensitive to it. Indispensable when blending.”

Transistor Organ Violin

“This horribly obnoxious sound is my absolute favorite for eating chocolate. It brings up this honey/fruity flavor that's just fabulous, while mostly preserving the chocolate's other qualities. I don't taste the honey/fruity note in most chocolates without the sound. It also makes me really sensitive to an aroma in coffee that lands somewhere between vanilla and sweaty palms. Listening to the sound, I can smell the coffee drive-up window from a couple blocks away (when the wind is right).”

Buzzing of a Walk-In Fridge

“This sound makes sherry finish whiskey taste so nutty in a really specific way, like hot nuts that just came out of the oven, or the sizzling nutty aroma of freshly baked cookies with nuts, (before they've had a chance to cool).”